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John Hajdu Heyer |
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CURRICULUM VITAE John Hajdu Heyer Email: heyerj@uww.edu
PROFESSIONAL HISTORY 2009 – present: Professor Emeritus, University of Wisconsin, Whitewater. CFO Heyer Publications. 2007 – 2008: Professor of Music and Interim Provost, University of Wisconsin, Whitewater 1997 – 2007: Professor of Music and Dean, College of Arts and Communication, University of Wisconsin, Whitewater 2002 – 2003 Administrative Director (interim), Irvin L Young Auditorium, Whitewater Wisconsin 1987 – 1997: Dean, College of Fine Arts, Indiana University of Pennsylvania 1994 – 1996: Acting Associate Vice President for Development, Indiana University of Pennsylvania and Associate Director, Campaign for Indiana University of Pennsylvania 1989 – 1994: President (volunteer), Rocky Ridge Music Foundation. The foundation operates a music and youth development institute in the summer near Estes Park, Colorado. 1994 – 1997: Vice President, Rocky Ridge Music Foundation 1980 – 1997: Lecturer and principal program annotator, Carmel Bach Festival, Carmel, California 1973 – 1987: Faculty: Professor of Music (1983) and Chair, Music Board of Studies (1980 – 1987), University of California – Santa Cruz
Ph.D. in Musicology, University of Colorado M.Mus. in Music History and Literature, University of Colorado B.Mus. in Composition, DePauw University Study and research in France (1967 – 70) with Nadia Boulanger, Annette Dieudonné, Pierre Bernac, et al. Extended research travel in England, France and Germany, 1983, 1987, 1997, 2002.
Books and book-length studies: Book (monograph): The Lure and Legacy of Music at Versailles: Louis XIV and the Aix School. A study of the interactions between the Île-de-France and Aix-en-Provence as evident in the legacy of Guillaume Poitevin (1646-1706) and the careers of his most-successful students, André Campra (1660-1744), Jean Gilles (1668-1705), Esprit Blanchard (1696-1770) and Claude Pellegrin (1682-1763). In preparation for Cambridge University Press. Critical edition: J-B. Lully, Jubilate Deo. For Volume 2 of Jean-Baptiste Lully • Œuvres Completes, Critical Edition in 39 volumes, in preparation for Olm Verlag, Hildesheim/ Musical Gallica, Paris. At press. Critical edition: J-B. Lully, Te Deum. For Volume 2 of Jean-Baptiste Lully • Œuvres Completes, Critical Edition in 39 volumes, in preparation for Olm Verlag, Hildesheim/ Musical Gallica, Paris. In preparation. Critical edition: Jean Gilles, Diligam te, Domine, ed. John Hajdu Heyer. AR Editions, 2004. Book: John Hajdu Heyer, ed., Lully Studies, Cambridge University Press, 2000. Critical edition: Jean-Baptiste Lully's Notus in Judaea (motet for chorus, soloists and orchestra), in J. -B. Lully, the New Collected Works. Williamstown, The Broude Trust, 1996. Book: John Hajdu Heyer, ed. Jean-Baptiste Lully and the Music of the French Baroque: Essays in Honor of James R. Anthony, Cambridge University Press, 1989. Paperback edition, 2008. Critical edition: Gilles' Messe des morts, for Recent
Research in Baroque Music, Madison: AR Editions, 1984. Dissertation: The Life and Works of Jean Gilles (1668-1705), unpublished Ph.D. dissertation, University of Colorado.
Article: “Poitevin, Campra, and the Composers of the Maîtrise at St-Sauveur in Aix-En-Provence: Some Common Aspects Of Style,” in Campra Studies, ed. Catherine Cessac (Forthcoming). Article: “A newly discovered French baroque mass by Jean Gilles (1668-1705): Reconsidering the concerted mass in France c. 1700,” In L’esprit français, Hildesheim: Olm Verlag, 2007 Paper: Lully’s Royal Wedding Motet, presented at the national conference of the American Musicological Society, November 3, 2002. Two encyclopedia articles: "Francois de La Feillée" and "François de La Croix" for Die Musik in Geschichte und Gegenwart,. Vol. 9 Bärenreiter-Verlag Kassel, forthcoming 2004. Two encyclopedia articles: “Jean Gilles” and “François Giroust” for Die Musik in Geschichte und Gegenwart,. Vol. 7 Bärenreiter-Verlag Kassel, 2002. Four biographical articles for the The New Grove Dictionary of Music and Musicians, 2nd edition: “Jean Gilles,” “Guillaume Poitevin,” “Laurent Belessin”, and “Guillaume Minoret.” London : Macmillan; Washington, D.C.: Grove's Dictionaries of Music, January, 2001. Article: “The Sources of Lully’s Te Deum: Implication for the Collected Works,” in Quellenstudien zu Jean-Baptiste Lully / l’Œuvre de Lully : étude des sources, Festschrift Lionel Sawkins, ed. Jérôme de La Gorce and Herbert Schneider, Hildesheim: Georg Olms Verlag, 1999. Two articles: "Lully" and "Atys" in the International Dictionary of Opera, London: St James Press, 1993. Paper: "Gilles's early works," for the Durham International Conference on Baroque Music, Durham, July 5, 1992. Article: "Lully's Jubilate Deo, LWV 77/16: A Stylistic Anomaly?" in Jean-Baptiste Lully, Actes du colloque/ Kongressbericht, Laaber-Verlag, Laaber, 1990, pp. 145-154. Article: "The Sources of Lully's grands motets" in Jean-Baptiste Lully and the Music of the French Baroque: Essays in Honor of James R. Anthony, Cambridge University Press, 1989, pp. 81-98. Article: "Recent findings in the sources of Lully's motets: the Traditions of Philidor and Foucault" Le grand motet français (1663-1792) ed. by Jean Montgrédien and Yves Ferraton, Presses de l'université de Paris-Sorbonne, 1986, p. 77 ff. Lecture-recitals: "Bach's The Art of the Fugue. Three performances for the 1983 Carmel Bach Festival, July 1983; repeated July 1985. Lecture-recital: "Bach's Musical Offering. Three performances for the 1984 Carmel Bach Festival, July 1984. Article: "French Music of the XVIIth and XVIIIth Centuries, a Checklist of Research in Progress" with J.R. Anthony, Paris: Picard, “Recherches" sur la Musique Française Classique, XX (1982), pp. 261-274 Articles: Seven biographical articles: "Bellissen," "Louis Bouteillier," "Pierre Bouteillier," "Gilles," "Giroust," "Minoret," "Poitevin," in The New Grove Dictionary of Music and Musicians. London: MacMillan, 1980. Article: "Can the Computer Help to Humanize the Lecture Hall?" in Teacher On The Hill (University of California, Santa Cruz, Issue 9, December 1978, pp. 1-2). Reprinted: CAI Forum, Vol. 1, No. 2, p. 2, (University of California, Spring 1979). Article: "Jean Gilles (1668-1705): A Biography" in Musicology at the University of Colorado. Boulder: University of Colorado Regents, 1978, pp. 80-94. Program notes for the Carmel Bach Festivals, 1979 – 1996.
Les Manuscrits autographes de Marc-Antoine Charpentier. Textes réunis par Catherine Cessac. Wavre: Éditions Mardaga, 2007. In Fontes Artes Musicae (V. 56/2, April - June 2009), Michel Richard Delalande’s De Profundis clamavi, S. 23, ed. Lionel Sawkins (Faber Music, London, 2001) in Music and Letters, Vol. 84, No. 1 (Feb. 2003), 161-163. Touched by the Graces, the libretti of Philippe Quinault by Buford Norman in Seventeenth-Century Music, Vol. 11, No. 1, University of Illinois on-line journal, http://sscm-jscm.press.uiuc.edu/jscm/. Music and Theatre in France 1600–1680 by John S. Powell. Oxford: Oxford University Press, 2000. For Current Musicology, No. 74 (fall 2002), 224-227. Charpentier by Catherine Cessac, in NOTES; Journal of the Music Library Association, 54:3 (March 1998), 687–88. "Musique et société: le modèle d'Arles à l'époque de l'absolutisme, 1600-1789 [Music and Society: The Model of Arles in the Era of Absolutism, 1600-1789]" by Marc Signorile, in Notes - Quarterly Journal of the Music Library Association 53:1 (September 1996) p.67-68 “Michel Pignolet de Montéclair's La Mort de Didon,” edited by Crich Schwandt. Victoria, BC: Editions JEU, 1982, in NOTES; Journal of the Music Library Association, xxxvi, No. 3 (September 1984), 155. “Soriano's Motets for Eight Voices,” in NOTES; Journal of the Music Library Association, xxxiv, No. 1 (September 1982). "Sigismondo d'India's Ottavo libro dei madrigali a cinque voci, 1624," in NOTES; Journal of the Music Library Association, xxxviii, No. 4 (June 1982). "Rosetum Marianum (1604)", in NOTES; Journal of the Music Library Association, xxxvi, No. 4 (June 1980), 983-84. "Schurmann's Arien," in NOTES; Journal of the Music Library Association, xxxvii, No. 1 (September 1980). "Cavalli's Requiem," in NOTES; Journal of the Music Library Association, xxxvi, No. 2 (December, 1979) 465-66.
Community Service Award, 1997, Indiana (Pennsylvania) Arts Council, for service to the Indiana Arts Council and support for the Arts in Indiana County. Phi Kappa Phi, 1993, Indiana University of Pennsylvania Noah Greenberg Award, American Musicological Society, for distinguished contribution to the study and performance of early music, 1985. Support for recording Lully motets. . Distinguished Alumnus Award (in Education), University of Colorado College of Music, 1988. Research Fellowship, National Endowment for the Humanities, for preparation of editions of Lully's motets, 1982-83. 12 Research Grants from the University of California, 1973-87. Leopold Schepp Foundation Fellowship for study in France, summers 1967-1968, and academic year 1969-1970. Noah Greenberg Award, American Musicological Society, for distinguished contribution to the study and performance of early music, 1979. Support for recording Gilles's Messe des morts. Steinhart Fellowship for research in 18th century music, University of California Santa Cruz, 1976-1977. University of California Regents Creative Arts Fellowship, Summer 1977.
Service on national and international committees Member (1998 – present): Comité scientifique Jean-Baptiste Lully – Œuvres Completes, Critical Edition in 39 volumes, in preparation for Olm Verlag, Hildesheim/ Musical Gallica, Paris. Member (1980-1997): The Lully Committee, an international group of seventeen scholars undertaking the publication of the collected works of J.-B. Lully (1980-present). Also member: The Lully Committee, Sub-committee on Resources. This sub-committee presented a series of successful applications to the National Endowment for the Humanities to support a microfilm archive of sources of Lully's ballets at Stanford University (1980-87). Member: American Musicological Society, Elected to Council, 1987 Member: The International Council of Fine Arts Deans (ICFAD), 1987 - present Tercentenary Consultant, Carmel Bach Festival (for 1985 festivities)
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